Sunday, 12 March 2023
by Berkeley Lovelace
Welcome back to This Week in Apps, the weekly TechCrunch series that recaps the latest in mobile OS news, mobile applications and the overall app economy.
The app economy in 2023 hit a few snags, as consumer spending last year dropped for the first time by 2% to $167 billion, according to data.ai’s “State of Mobile” report. However, downloads are continuing to grow, up 11% year-over-year in 2022 to reach 255 billion. Consumers are also spending more time in mobile apps than ever before. On Android devices alone, hours spent in 2022 grew 9%, reaching 4.1 trillion.
This Week in Apps offers a way to keep up with this fast-moving industry in one place with the latest from the world of apps, including news, updates, startup fundings, mergers and acquisitions, and much more.
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The TikTok model had already infiltrated many consumer apps — Instagram, YouTube, Snapchat, Pinterest and several more (even Netflix and Amazon!). Now you can add a handful of other high-profile apps to the list. Most notably, Spotify and Reddit this week announced their own takes on the TikTok feed with significant changes to their respective app’s designs. SoundCloud also introduced video feeds for music as a test.
For Reddit, the changes come only a year into a broader redesign. Reddit on Tuesday unveiled an updated user interface that now separates text-based content and video into separate feeds in the app, dubbed “Read” and “Watch.” The company said that, by doing so, users could switch between text-browsing — Reddit’s historical draw — to a video experience, depending on their current mood. While Reddit had tested other models for integrating video in the app before this change, this puts access to its video feed more front-and-center in the app experience.
Meanwhile, Spotify this week revealed a mobile app overhaul that introduces video-based “discovery” feeds for music, podcasts and audiobooks in an effort to engage users and reclaim some of the time spent on music discovery that had shifted over to TikTok.
What’s interesting about these latest updates is that they involve two apps that aren’t really known for video having found ways to launch their own video-based feeds as key parts of their new user experiences. While it wasn’t as much of a stretch for apps like Instagram or YouTube to adopt short-form video, Spotify and Reddit seemed less likely candidates, as they focused on other types of content, like text and audio.
But Spotify has also watched as TikTok has eaten into its market, becoming a music discovery platform so powerful that it’s now in control of the top charts. TikTok is minting new hits and artists and can even put decades-old music back into rotation when older songs get attached to a viral trend.
This is not great news for Spotify, which wants to be able to sell artists access to marketing tools to get their music found and streamed — and it wants to differentiate itself among consumers by offering better music discovery features. The company’s Discover Weekly playlist is still one of consumer tech’s best products, but it’s no longer enough to sell the service’s ability to connect fans to new music in a world where TikTok now exists.
That brings us to Spotify’s TikTok-ified revamp, which not only introduces video feeds for content discovery but also capitalizes on the format to connect users with their various interests, drilling down different types of music categories, playlists or compilations designed for specific activities. The app’s new feeds introduce video clips from artists (their short, looping Canvas videos, which already accompanied their streams), podcast video clips, podcast audio clips with a static background and animated real-time transcriptions overlaid on top, as well as clips of audiobook narrations.
The changes are radical — and potentially controversial, too.
We’ve already seen long social media threads where users announce how is the last straw — and one that will push them back to Apple Music, they lament. The general sentiment is that they don’t want a TikTok in their music app.
But Spotify’s feeds aren’t really a TikTok clone. There are no creators pushing content for likes and comments. There aren’t viral dances and challenges and trends. Its goals are increasing streams and helping people find new things to enjoy. (Well that…and helping Spotify make more money).
Arguably, a multimedia feed is a better format for serendipitous discovery than a carousel that points to albums or playlists. It’s why Netflix has trailers (even annoying autoplay ones). Hearing and seeing is simply more engaging than reading text. That can be true and users can hate it.
Another key thing to note is that Spotify is also using the video feed format to not only serve as a discovery engine across formats but a starting place for connecting users to the specific type of music they want to hear now — without requiring users to type into a search box. Under the music sub-feed, the app will point you to short-form video feeds focused on various genres or even activities, like relaxing, studying or working out, for example.
This shift targets the changing consumer behavior of a younger generation (Gen Z, and soon, Alpha), which remains Spotify’s core demographic. As Google noted last year, younger people are using the web differently — and it’s a potential crisis for its own business. Speaking at an event, a Google Search exec explained how young people now often begin certain types of searches directly on Instagram and TikTok, bypassing Google Search.
Spotify, if it failed to adapt to changing trends, could have faced the same fate.
It may have seen users heading directly to TikTok to find new music, rather than its own app — no matter how many clever, personalized playlists it offered. Rather than waiting for this to be an existential threat (and one possibly accompanied by the launch of a dedicated TikTok Music app, as has been reported), it embraced the trend.
Still, it’s a big risk.
Some users weren’t necessarily thrilled with the modernized look of Google Search, now filled with colorful cards and videos instead of just a list of links. And similarly, a number of Spotify users may defect from the now video-first app to go back to more “classic” players, like Apple Music.
There’s a bit of old man yells at cloud to this early backlash, however. Internet technology is always changing as is consumer behavior. Spotify could have refused to experiment in this area, but in a way, it has a responsibility to do so as a prominent consumer app. If the changes don’t deliver the results it wants — if consumers cancel subscriptions, if engagement and discovery decline — it would likely dial things back.
But if it succeeds, it would be a boon for its bottom line.
Going forward, Spotify says more artists can pay for its controversial Discovery Mode tool, which adds a signal to Spotify’s personalized algorithms — algorithms that now inform its video feeds. The feature includes paying Spotify a commission on streams. It’s not exactly an ad, but rather a tool to manipulate what feels more like an organic experience to the end user. Plus, artists can use a new feature called Showcase to place a mobile card in the new video feeds to introduce their music to potential fans. Longer-term, Spotify could insert more ads into this experience, too.
At least we’ll have to credit Spotify with this: It decided not to merely dabble with its TikTok-style features, it went all in. This is no mere add-on to its product, it’s the face of it. Unlike Reddit, which made visiting its TikTok-inspired feed a more intentional choice, Spotify’s feeds are everywhere. It’s a real test for Spotify’s brand and, as CEO Daniel Ek said at the event, the “biggest change Spotify has undergone since we introduced mobile 10 years ago.” Now the ball is in consumers’ court as to what comes next.
The app’s changes were among many new features Spotify introduced at its Stream On live event in LA.
Podcasters were also pitched new tools that would give them the option to add interactive features — like Q&As and polls. These were previously reserved for Anchor creators only, but Anchor is now being merged into the larger Spotify for Podcasters dashboard. Spotify also expanded access to video podcasts, which now could hold more appeal given the new video feeds.
Artists, meanwhile, are being offered access to new tools for running campaigns, and promoting concerts and merchandise, as well as new Countdown Pages that let fans presave albums, watch exclusive videos, preorder merch, preview tracklists and watch a timer count down to a new release.
The Countdown pages can also showcase Spotify’s new Clips — under-30-second vertical videos that are uploaded directly to Spotify for Artists. These will appear on artist profiles and album pages, as well.
The feature can be used to share the story behind a song, announce an upcoming release, feature a collaborator, show off merch or, for new artists, as an introduction — or anything else an artist may want to share. Unlike on social media platforms, the goal with Clips is not to generate Likes, but rather streams of the artist’s music instead.
It’s another way Spotify is shifting its app to video outside of the TikTok-style feeds.
At the start of the week, some in the Fediverse user base were upset about Medium’s entry into their open source, decentralized space with news that Medium’s new Mastodon server would involve a fee. (It’s actually just another perk of a Medium membership.) But by the end of the week, a much bigger threat to the status quo had emerged as Meta confirmed it was working on a decentralized, text-based app. The app would effectively serve as a Twitter alternative, but also seemingly would threaten the growth of the free and decentralized web where platforms like Meta have less control.
The app, codenamed P92, would let users log in using their Instagram credentials and would support ActivityPub. The latter is concerning Fediverse advocates who fear Meta’s real interest in this space has nothing to do with their values but rather is just another example of the “embrace, extend, extinguish” approach big tech takes when there’s a threat to its power.
In the case of the Fediverse, however, there may be a tool for fighting back. Server operators could refuse to federate with any Meta-run instances, essentially carving out a space for social networking outside of big tech’s reach. Or servers could choose only to federate if Meta agreed to certain conditions, like account portability or not screwing around with ActivityPub’s development.
Apple announced on Thursday it will soon launch a new music streaming service focused on classical music. Based on its 2021 acquisition of Amsterdam-based streamer Primephonic, the new Apple Music Classical app will offer Apple Music subscribers access to more than 5 million classical music tracks, including new releases in high-quality audio, as well as hundreds of curated playlists, thousands of exclusive albums and other features like composer bios and deep dives on key works.
Users will be able to search by composer, work, conductor or even catalog number, to locate recordings. These can be streamed in high-quality audio of up to 192 kHz/24-bit Hi-Res Lossless. And thousands of recordings will be available in Apple’s immersive spatial audio, as well.
The service will be included with an Apple Music subscription, including Individual ($10.99/mo), Student ($5.99/mo) and Family ($16.99/mo) plans, and the Apple One bundles. At launch, it will be iOS only (iOS 15.4+) with Android to follow “soon.”
The app is available for preorder on the App Store for a March 28 release.
This Week in Apps: TikTok-style feeds come to Spotify and Reddit; Meta’s Fediverse plans by Sarah Perez originally published on TechCrunch